Official Gazette of 24 June 2025

Find out what new regulation was published on 24 June 2025 and how that aligns or misaligns with what the parties have promised before the elections!

Consult the full version of today's offical gazette here. Note that this blog post is not written by a human. It was generated by Artificial Intelligence. Read more about what this blog is here.

Summary of Regulatory Changes from the Belgian Official Gazette (June 24, 2025)

The Belgian Official Gazette published on June 24, 2025, contains significant regulatory changes, mainly reflecting updates in subsidies for cultural projects and collective labor agreements. Below are the prominent changes:

1. Updates on Subsidies for the Palace of Fine Arts (BOZAR)

New provisions were introduced concerning subsidies for the NV Paleis voor Schone Kunsten (Palace of Fine Arts) aimed at advancing the Digital BOZAR project.

  • Budget Allocations:
  • A subsidy of €1,372,000 is allocated for the year 2024, intended to cover costs related to the project Digital BOZAR. These costs are linked to achieving targets set in the National Recovery and Resilience Plan.
  • For the year 2023, a maximum subsidy of €202,020 is designated to cover unrecoverable VAT on expenditures associated with the same project.

Example of Change:

Previously, in 2023, the Palace received a subsidy capped at 297,297 euros for unrecoverable VAT costs. However, the newly introduced provisions not only continue the financial support for upcoming years but also raise the total budget allocation for the project in 2024, demonstrating a commitment to enhance cultural initiatives and resilience in the face of various challenges.

2. Collective Labor Agreements

Two regulations were published regarding collective labor agreements in various sectors, particularly focusing on social security and working conditions.

  • Establishment of the "Fonds voor Bestaanszekerheid SAP Ondernemingsactiviteit Koetswerk":
  • A new social fund has been established for sectors involved in carriage work, which will function as a multi-sector organizer for sectoral supplementary pensions.

Example of Change:

Starting from July 1, 2025, the newly instituted fund will take over responsibilities from the previous "Social Fund for Carriage Enterprises." This aims to consolidate pension plans for workers in this field, thereby ensuring better financial security for employees.

Conclusion

These amendments reflect the Belgian government's ongoing efforts to support the cultural sector through enhanced financial measures and to improve working conditions and social security across various industries. By consolidating pension schemes and augmenting funding for arts initiatives such as the Digital BOZAR project, Belgium aims to foster resilience and cultural vitality in a post-pandemic landscape.

These regulatory adjustments provide a framework that prioritizes not only recovery but also sustainable advancement in cultural engagement and labor rights, potentially impacting various stakeholders, including artists, employees, and cultural institutions.

Analysis

Note that the AI that generated below text was prompted to be critical and foucs on inconsistencies between new regulations and party promises. Always good to be critical towards the government!

Critical Analysis of Inconsistencies in Party Promises and Recent Regulatory Changes

N-VA (Nieuw-Vlaamse Alliantie): N-VA has emphasized the importance of cultural investment and support for sustainable practices in public funding. The increase in subsidies for the Palace of Fine Arts, particularly for the Digital BOZAR project, aligns well with their commitment to advancing cultural initiatives in a post-pandemic context. However, if the funding shifts prioritize certain cultural sectors over others, it could contradict their promise of balanced support across various cultural expressions. N-VA must ensure that increased funding does not inadvertently favor large institutions at the expense of smaller, community-driven cultural projects.

MR (Mouvement Réformateur): MR advocates for minimal government intervention and efficient use of public resources. While they definitely support funding for cultural projects, the allocation of substantial subsidies may raise concerns about the sustainability of such expenditures. If these grants compromise financial flexibility in other essential sectors, it could conflict with MR's promise to ensure a leaner, more efficient government. Moreover, any complexities introduced by new collective labor agreements must be carefully managed to avoid bureaucratic challenges that may deter business engagement or growth, which goes against their pro-business agenda.

CD&V (Christen-Democratisch en Vlaams): CD&V focuses on social equity and the welfare of communities. The new collective labor agreements, particularly those that enhance social security for workers in carriage work, align with their mission of supporting job security and welfare. However, they must be cautious about the financial sustainability of these funds. If the required contributions to the "Fonds voor Bestaanszekerheid" place excessive burdens on small enterprises, it contradicts their promise of supporting local business endeavors. Furthermore, while the increased funding for cultural initiatives is aligned with community support, they should ensure that it does not neglect other pressing social needs.

Vooruit: Vooruit emphasizes social justice and equity for all workers. The expansion of the social fund for carriage industry workers aligns with their agenda of advocating for worker rights and protections. However, they must ensure that the substantial focus on the cultural sector's financial support does not overshadow critical funding needs in healthcare or education. If scarce resources are diverted to bolster cultural projects at the expense of social welfare systems, it would undermine their commitment to supporting all facets of society equally.

Les Engagés: Les Engagés promote inclusivity and sustainability in governance. They would likely support the increased funding for the Digital BOZAR project as it aligns with their cultural and environmental values. However, if the focus on subsidizing large cultural initiatives leads to imbalances with smaller community arts projects or local cultural expressions, it could create inconsistencies with their promise of equitable support for diverse communities. The new provisions related to labor agreements in the carriage sector also resonate with their social values, but if compliance becomes overly burdensome for smaller organizations, it could contradict their objectives for inclusive and sustainable growth.

Conclusion

The regulatory changes published in the Belgian Official Gazette mark significant developments in funding and labor regulations across various sectors. While many of these changes align with party promises aimed at enhancing cultural support and worker protections, inconsistencies arise regarding the balance of resource allocation, the sustainability of funding, and the potential impact on smaller entities. Each party must thoughtfully navigate these complexities to ensure they uphold their commitments to their constituencies while adapting to the evolving regulatory environment.